THE GRAND MASTER -1750-SATIRICAL PAINTING OF BRITISH AS THE NEW MASTER OF INDIA
During his career, Thomas Rowlandson (1756-1827) produced
some ten thousand engravings, etchings, ink and watercolour
illustrations, in the era known as the Golden Age of British
illustration.
His satirical prints were generally funnier than his predecessor, William Hogarth and less overtly political than those of his friend and fellow Royal Academy attendee, James Gillray.
His satirical prints were generally funnier than his predecessor, William Hogarth and less overtly political than those of his friend and fellow Royal Academy attendee, James Gillray.
"He has covered with his never-flagging pencil enough
charta pura (white paper) to placard the whole walls of China,
and etched as much copper as would sheathe the British Navy."
charta pura (white paper) to placard the whole walls of China,
and etched as much copper as would sheathe the British Navy."
