Friday, April 5, 2024

1869BombayGreen/CottonGreen(renamed Elphinstone circle/renamed HornimanGarden) behind StThomasCathedral

 
Photograph of Elphinstone Circle in Bombay from the 'Lee-Warner Collection: 'Bombay Presidency. William Lee Warner C.S.' taken by an unknown photographer in the 1870s. Elphinstone Circle was laid out in 1869 on the site of the old Bombay Green in the Fort area of the city. The buildings were designed by James Scott as part of the redevelopment of Bombay which began under the Governorship of Sir Bartle Frere in the 1860s. Following Independence, the Circle was renamed Horniman Circle. This name refers to Benjamin Horniman, an English journalist. This view shows the gardens and fountain in the centre of

 Elphinstone Circlewas laid out in 1869



Mumbai's first horse-drawn tram service opened on May 9, 1874, and ran from Colaba to Pydhonie via Crawford Market, and Bori Bunder to Pydhonie via Kalbadevi. The fare was three annas (15 paise pre-decimalisation) initially, but was reduced to two annas later that year. Tickets were issued to stop ticket-less travel. 


St. Thomas Cathedral, Mumbai

From Wikipedia, the free encyclopedia
St Thomas Cathedral
Cathedral Church of St Thomas the Apostle
Map
18°55′54″N 72°50′1″E
LocationHorniman Circle,
Fort,
South Mumbai,
Maharashtra
CountryIndia
DenominationChurch of North India
History
Consecrated1718
(300 years ago)
&
1837
(renovation & expansion)
Bombay,
British India
Associated peopleBritish East India Company
Monarchy of Great Britain
Architecture
Heritage designationUNESCO Asia-Pacific Heritage Conservation Award
Groundbreaking1676
(340 years ago)
Completed1718
1837 (Enlarged)
Specifications
Capacity1200+

St. Thomas Cathedral, Mumbai, is the 300-year old cathedral church of the Anglican Diocese of Mumbai of the Church of North India. It is named in honour of Saint Thomas the Apostle, who is believed to have first brought Christianity to India. The cathedral is located in Horniman Circle, the historic centre of Mumbai. It is in close proximity to famous Mumbai landmarks such as Flora Fountain and Bombay House. It is the oldest church in Mumbai[1] The Cathedral and John Connon School is run by the cathedral.

The foundation stone of the church was first laid in 1676, although the church was only finally consecrated for divine service 1718. It is the first Anglican church in Mumbai (then called Bombay), within the walls of the fortified British settlement. The cathedral is a landmark in South Mumbai and is one of the oldest churches in India. The Cathedral and John Connon School was created in 1860, in order to provide choristers to the church. It is used by the school for its Founder's Day Service on 14 November every year, Carol Service on the last day before the school's Christmas vacation and other special occasions.

The Churchgate railway station derives its name from the St. Thomas Cathedral, as the station was linked to the cathedral by a road leading through one of the three gates of the fortified island city of Mumbai.[2] The walls of the Bombay Fort were demolished in 1862 and the gate leading to the church was replaced by the Flora Fountain in 1864.[3]

History[edit]

St. Thomas Church prior to 1838
St. Thomas Cathedral, c. 1905
The original plan of St. Thomas Church completed in 1718
Zero Point Plaque of Mumbai at the compound of St. Thomas Cathedral, Mumbai

The name of nearby Churchgate Station refers to this church. One of the gates in the fort which the East India Company had built to protect their settlement was the entrance to the St. Thomas Church. It was called Churchgate. That is why the whole area towards the west of the church is called "Churchgate" even today. The street leading to the church was originally called Churchgate Street and was later renamed like many streets in Bombay, and is now known as Veer Nariman Road.

The island of Bombay which was a Portuguese possession became a part of the dowry of the Portuguese princess Infanta Catherine of Braganza on her marriage to Charles II of England under the Anglo Portuguese treaty of June 1661. In 1668 King Charles transferred it to the East India Company for a loan of pounds Sterling 50,000 at 6% interest and with a rental of pounds Sterling 10 per annum.

Gerald Aungier was placed in charge of the British East India Company's newly acquired factories at Surat and Bombay, which had until then belonged to Portugal. As governor of Bombay from 1672 to 1677, Angier built a church, a hospital, a court of justice and other civic amenities on the English model, and fortified the company's commercial establishment.[4] The foundation stone for the church was laid in 1676, on Bombay Green, at the present site of the St. Thomas' Cathedral, but over 40 years elapsed before construction could be completed. Richard Cobbe, the chaplain, completed the construction of the building between 1715 and 1718. It was opened for divine service on Christmas Day 1718, and since then has served continuously as an Anglican place of worship.[5][6] However, in 1816 the church was dedicated to St. Thomas, the apostle, by Thomas Middleton, the first Bishop of Kolkata.[7]

The church was consecrated as a cathedral in July 1837 concurrent with the appointment of the first Bishop of Bombay, Thomas Carr. The tower and the clock at the western end were added in 1838. About 25 years later a major renovation scheme was launched to enlarge the chancel. This was completed by 1865.

King George V and Queen Mary attended divine service at the church in 1911 prior to their departure to the third Delhi Durbar held in the Coronation ParkDelhi. They occupied the chairs in the first row and the chairs have been preserved until now with names of the King and Queen written in brass plates.[8][9]

A fountain stands at the entrance of the church. It was financed by Parsi entrepreneur and philanthropist Cowasji Jehangir Readymoney. It was designed by George Gilbert Scott and installed in the 1870s.[10]

Memorials[edit]

The cathedral contains many carved stone memorials from the eras of Company rule in India and the British Raj. Significant among this number:

  • Memorial to Thomas Carr: Recumbent effigy of Thomas Carr, First Bishop of Bombay by British sculptor Matthew Noble
  • Memorial to officers and crew of steam ship Cleopatra: Cleopatra was a steam operated wooden paddle sloop that sank of the Malabar coast on 15 April 1847. The ship was transporting 100 convicts from Bombay to Singapore. The ship had a crew of 15i, including 9 officers. The plaque contains the names of te nine officers and mentions about the 142 other crew members, but there is no mention of the 100 odd convicts.[11]
  • Memorial to Frederick Lewis Maitland: Maitland died on 30 November 1839 whilst at sea on board the Wellesley, off Bombay. He was buried at Bombay.
  • Memorial to Captain Hardinge: Captain George Nicholas Hardinge was the captain of San Fiorenzo, which was involved in a small three-day (6-8 March 1808) but epic naval struggle against the French ship Piedmontaise, off the cost of ColomboCeylon. Hardigne died of a grapeshot wound, shortly before the French surrendered. His elaborate memorial was executed by John Bacon.[12]
  • Memorial to John Campbell: John Campbell was Lieutenant-Colonel of the British army who took an active part in the Siege of Mangalore Fort and subsequent conflict with Tippoo Sultan. He died in Bombay on 23 March 1784 out of exhaustion. The marble memorial consists of life-sized figures of Death and Hope flanking an urn on a tall pedestal. It was designed by Charles Peart.[13]

Mumbai Zero Point[edit]

The cathedral marks colonial Bombay's point zero, the exact centre of the city. From the church 16 mile stones were laid out, leading to the north of the city. The milestone measured 4 feet in height but are submerged by the increasing road level. So far, 11 of the 16 milestones have been located.[3][14][15]

Present day[edit]

After completion of a major restoration work the cathedral was selected in 2004 for a UNESCO Asia-Pacific heritage conservation award.[16]

The current congregation at St. Thomas Cathedral is led by Rev. Avinash Rangayya.

Gallery[edit]

See also[edit]


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Town Hall Bombay & Cotton Green - before Elphinstone Circle was built



The Horniman Circle Gardens is a large park in South Mumbai, India, which encompasses an area of 12,081 square yards (10,101 m2). It is situated in the Fort district of Mumbai, and is surrounded by office complexes housing the country's premier banks. Designed to be a large open space with grand buildings in the middle of the walled city, the area had been known as Bombay Green in the 18th century, while the area around it was called Elphinstone Circle. Following India's independence in 1947, the area was renamed in honour of Benjamin Horniman, editor of the Bombay Chronicle newspaper, who supported Indian independence


Times Of India building at ElphinstoneCircle,before shifting to opp:V.T. Railway station?)
The Times of India building at Elphinstone Circle in 1898.

Times of India building inside Bombay fort;second building from corner  (near gate of Bombay fort called 'church gate' seen in distance-inside view)-before Fort walls and gates were destroyed in 1850's




The name Elphinstone circle was changed to Horniman circle post Independence in honour of Benjamin Horniman who was the editor of The Bombay Chronicle newspaper, A British who supported India's Independence and was the first to publish stories of Jallianwala Baug massacre which brought world attention to British atrocities in India.

At the east end of the Horniman circle garden lies the town hall which houses Asiatic society library, The steps have been popular in movies and today a favorite spot for pre-wedding photo shoots. The white painted classical facade is supported by eight doric columns. The steps are transformed into grandstand seating during the Music festivals which happens in winters every year. The library is home to many rare books and ancient manuscripts from across the world.

Elphinstone Circle, Bombay, Mumbai, India 1860s


The Flora Fountain in Mumbai, India was built in 1864 by British colonial engineer James Forsythe. The fountain was named after the Roman goddess of flowers, Flora, and cost 47,000 rupees, or 9,000 pounds sterling, which was a large sum at the time. The fountain is made of Portland stone and depicts Flora and other mythological figures

Trams began operating in Mumbai in 1874, and the first tram, between Parel and Colaba, ran on May 9, 1874The trams were initially horse-drawn, but electric engines replaced them in 1907In 1920, double-deck trams appeared, and by 1935, there were 433 trams on 47 km of track
COTTON MERCHANTS AT COTTON GREEN
cotton green early 19 th century
AREA BEHIND ST THOMAS CATHEDRAL -USED FOR MILITARY TRAINING/MARCH PAST 
The cotton trade from Bombay increased in 1854 when a Parsi merchant established the first textile industry in the city. The industry grew to include four cotton factories by 1860

Following the Uprising of 1857, the British started to use photography to gather data on races, castes and communities to better understand the ethnic diversity of the subcontinent. This photograph is from ‘The Photographs of Western India’ (Vol.1), 1855-1852, one of the earliest photographic compendiums to be produced on ethnographic portraiture, taken by William Johnson – an ardent exponent of the practice.

The publication contains a wide range of images of Bombay and its inhabitants.   William Johnson worked in Bombay between 1852-1860, starting his career in photography as a daguerreotypist. He was one of the founding members of the Bombay Photographic Society in 1854 During the mid 1850s, Johnson went into partnership with William Henderson, who had his own commercial photography studio in Bombay.

The duo produced a monthly periodical, Indian Amateurs Photographic Album (1856-1858) which featured prints by other amateur and professional photographers in addition to their own. Johnson is also remembered for having produced Oriental Races and Tribes, Residents and Visitors of Bombay (2 Vols, London, 1863 – 1865) which is among the earliest ethnographic works in India featuring photographs.

after 1857 uprising british kept a sharp eye on trade and other activites




The cotton trade from Bombay increased during the American Civil War when the United States' cotton exports decreased. 
Bombay was an important port for exporting raw cotton to China and England from the early 19th century. The city's proximity to the western Indian black soil tract, where cotton was grown, made it easy for textile mills to get raw materials

The cotton trade from Bombay increased during the American Civil War when the United States' cotton exports decreased




150130_beckert_cotton_loc.jpg

Library of Congress

How Cotton Remade the World

The Civil War cotton shock didn't just shake the American economy.

 

Continue to article content

The American Civil War is one of the best-researched events in human history. Hundreds of historians have dedicated their professional careers to its study; thousands of articles and books have been published on its battles, politics and its cultural and social impact. Discussions of the war permeate everything from popular films to obscure academic conferences. Would we expect any less for a defining event in our history—an event that can persuasively be described as the second American Revolution? Certainly not.

Yet given all that attention, it is surprising that we have spent considerably less effort on understanding the war’s global implications, especially given how far-reaching they were: The war can easily be seen as one of the great watersheds of 19th-century global history. American cotton, the central raw material for all European economies (and also those of the northern states of the Union), suddenly disappeared from global markets. By the end of the war, even more consequentially, the world’s most important cotton cultivators, the enslaved workers of the American South, had attained their freedom, undermining one of the pillars on which the global economy had rested: slavery. The war thus amounted to a full-fledged crisis of global capitalism—and its resolution pointed to a fundamental reorganization of the world economy.

When we look at capitalism’s history, we usually look at industry, at cities and at wage workers. It is easy for us to forget that much of the change we associate with the emergence of modern capitalism took place in agriculture, in the countryside. With the rise of modern industry after the Industrial Revolution of the 1780s, the pressures on this countryside to supply raw materials, labor and markets increased tremendously. Since modern industry had its origins everywhere in the spinning and weaving of cotton, European and North American manufacturers quite suddenly demanded access to vastly increased quantities of raw cotton.

That cotton came almost exclusively from the slave plantations of the Americas—first from the West Indies and Brazil, then from the United States. When American cotton growers began to enter global markets in the 1790s after the revolution on Saint Domingue—once the world’s most important cotton-growing island—they quickly came to play an important, in fact dominant, role. Already in 1800, 25 percent of cotton landed in Liverpool (the world’s most important cotton port) originated from the American South. Twenty years later that number had increased to 59 percent, and in 1850 a full 72 percent of cotton imported to Britain was grown in the United States. U.S. cotton also accounted for 90 percent of total imports into France, 60 percent of those into the German lands and 92 percent of those shipped to Russia. American cotton captured world markets in a way that few raw material producers had before—or have since.

Planters in the United States dominated production of the world’s most important raw material because they possessed a key combination: plentiful land, recently taken from its native inhabitants, plentiful slave labor, made available by the declining tobacco agriculture of the upper South and access to European capital. European merchants’ earlier efforts to secure cotton crops from peasant producers in places such as Anatolia, India and Africa had failed, as local producers refused to focus on the mono-cultural production of cotton for export, and European merchants lacked the power to force them. It was for that reason that cotton mills and slave plantations had expanded in lockstep, and it was for that reason that the United States became important to the global economy for the first time.

Slave plantations were fundamentally different sites of production than peasant farms. On plantations, and only on plantations, owners could dominate all aspects of production: Once they had taken the land from its native inhabitants, they could force enslaved African-Americans to do the backbreaking labor of sowing, pruning and harvesting all that cotton. They could control that labor with unusual brutality, and could deploy and redeploy it without any constraints, lowering the costs of production. With the expansion of industrial capitalism, this strange form of capitalism expanded, and European capital in search of cotton flowed to the slave areas of the world in ever-greater quantities. This world was not characterized by contracts, the rule of law, wage labor, property rights or human freedom—but by the opposite—arbitrary rule, massive expropriations, coercion, slavery and unfathomable violence. I call this form of capitalism “war capitalism”; it flourished in parts of the United States and eventually resulted in civil war.

Slavery stood at the center of the most dynamic and far-reaching production complex in human history. Herman Merivale, British colonial bureaucrat, noted as much in 1839 when he observed that “the greater part of our cotton [is] raised by slaves,” and Manchester’s and Liverpool’s “opulence is as really owing to the toil and suffering of the negro, as if his hands had excavated their docks and fabricated their steam-engines.”

As the cotton industry of the world expanded, with spinning and weaving mills cropping up in fast-industrializing areas, the cotton-growing complex migrated ever further into the American West, to Alabama, Mississippi and eventually Texas, drawing on ever more slave labor. By 1830, one in 13 Americans grew cotton, one million people in total, nearly all of them enslaved. In one of the most violent episodes in American history, one million enslaved workers were uprooted and sold from the upper South into cotton growing states such as Mississippi, Alabama and Louisiana, where their labor fueled a vast profit-making machine. This machine enriched not just the plantation owners, but also merchants in New York and Boston and Liverpool, as well as manufacturers in Alsace, Lancashire and New England. Slavery in the United States had become central to the functioning of the global economy, as South Carolina cotton planter Sen. James Henry Hammond observed quite accurately when he argued, “Cotton is king.”

***

When war broke out in April of 1861, this global economic relationship collapsed. At first, the Confederacy hoped to force recognition from European powers by restricting the export of cotton. Once the South understood that this policy was bound to fail because European recognition of the Confederacy was not forthcoming, the Union blockaded southern trade for nearly four years. The “cotton famine,” as it came to be known, was the equivalent of Middle Eastern oil being removed from global markets in the 1870s. It was industrial capitalism’s first global raw materials crisis.

The effects were dramatic: In Europe, hundreds of thousands of workers lost employment, and social misery and social unrest spread through the textile cities of the United Kingdom, France, Germany, Belgium, the Netherlands and Russia. In Alsace, posters went up proclaiming: Du pain ou la mort. Bread or death. Since very little cotton had entered world markets from non-enslaved producers in the first 80 years after the Industrial Revolution, many observers were all but certain that the crisis of slavery, and with it of war capitalism, would lead to a fundamental and long-lasting crisis of industrial capitalism as well. Indeed, when Union Gen. John C. Frémont emancipated the first slaves in Missouri in the fall of 1861, the British journal The Economist worried that such a “fearful measure” might spread to other slaveholding states, “inflict[ing] utter ruin and universal desolation on those fertile territories” and also on the merchants of Boston and New York, “whose prosperity … has always been derived” to a large extent from slave labor.

Yet to the surprise of many, the American Civil War did not result in a permanent crisis of industrial capitalism, but instead in the emergence of a fundamentally new relationship between industry and the global countryside, one in which industry drew on peasant, not slave, produced cotton. Already during the war itself, determined European manufacturers and imperial statesmen opened up new sources for raw cotton in India, Brazil, Egypt and elsewhere. So rapid was the expansion in Egypt, for example, that Egyptian historians consider the American Civil War one of the most important events in their own 19th-century history. New infrastructures, new laws, new capital and new administrative capacities were pushed into the global countryside. Combined with rapidly rising prices for raw cotton, these changes resulted in a world where for the first time ever, peasant producers sold large quantities of raw cotton into world markets, preventing the total collapse of the European industry and connecting the countryside to the cities in ways that had never been seen before.

India provides a good example for these transformations. The British imperial government built railroads into the cotton-growing hinterland. It changed Indian contract law to enable merchants to advance capital to cultivators on the security of their crop and land. European merchants, who had until then played a subordinate role in trading Indian cotton, now moved into cotton-growing regions, advanced capital to growers and built steam-powered cotton gins and cotton presses. The newly invented telegraph enabled price information to travel quickly, and by the 1870s European manufacturers could order cotton from hinterland towns in India and have it delivered to their factories in just six weeks.

Indian cultivators, like those elsewhere, increasingly specialized in the production of cotton for export, moving away from their old domestic industry of cloth production, and replacing food crops with cotton. Many of them turned into sharecroppers, highly indebted to local merchants. This model also travelled to the American South in the wake of the Civil War, when freedpeople’s efforts to gain access to land failed just as much as the efforts of landowners to hire them as wage workers. As a result, in Alabama and Georgia, South Carolina and Mississippi, formerly enslaved cotton growers became sharecroppers and tenant farmers. Railroads pushed ever further into the American cotton-growing countryside, bringing with them a new generation of merchants and European and North American capital. So called “Black codes” and new laws regulating advances to sharecroppers attached freedpeople, and, increasingly, white yeoman farmers, to the global cotton empire.

Slavery might have been at the center of the European cotton industry for three generations, but by the last third of the 19th century the new strength of European and North American capital and state power (with its vast infrastructural, administrative, military and scientific might) paved the way for other forms of labor mobilization—solving what was, from the perspective of the  Economist,, one of the core problems the world faced at the end of the American Civil War: “It is clear that the dark races must in some way or other be induced to obey white men willingly.”

So successful was the transition of slave labor into sharecropping and tenant farming during and after the war that cotton production actually  expanded dramatically. By 1870, American cotton farmers surpassed their previous harvest high, set in 1860. By 1877, they regained and surpassed their pre-war market share in Great Britain. By 1880 they exported more cotton than they had in 1860. And, by 1891, sharecroppers, family farmers and plantation owners in the United States were growing twice as much cotton as in 1861.

As nation states became more central to the global cotton industry, and as the cotton industry remained important to European economies, European states increasingly also tried to capture and politically control their own cotton-growing territories. With the United States now an important—and eventually the most important—industrial power in the world, Europeans wanted to follow the United States model and control cotton growing territories of their own. Pushed by manufacturers concerned about the security of their cotton supply, European colonial powers embarked upon new cotton-growing projects. No one did so more successfully than Russia, which by 1900 already secured a significant share of its cotton needs from its colonial territories in Central Asia. The Germans followed suit in their western African colony of Togo; the British in Egypt, India and throughout Africa; and the French, Belgians and Portuguese in their respective African colonies. Even the Japanese built a small cotton-growing complex in their colony, Korea.

Along with this expansion of cotton agriculture, a new wave of violence descended upon large swaths of the global countryside, as colonial powers forced peasants to grow cotton for export. As late as the 1970s in Mozambique, a former Portuguese colony, the word cotton still evoked, according to two historians, “an almost automatic response: suffering.” Slavery may have disappeared from the empire of cotton, but violence and coercion continued. Moreover, the post-war reconstruction of the global cotton-growing countryside provided ever increasing quantities of ever cheaper cotton to industry, but at the same time created huge new risks for rural cultivators, as plunging prices and political repression brought extreme poverty. In India, in the late 19th century, millions of cotton growers starved to death because the crops they grew could not pay for the food they needed. The British medical journal  The Lancet estimated that 19 million Indians died in the famines of the late 1890s, most of them cotton growers.

The American Civil War thus marked one of the most important turning points in the history of global capitalism. The last politically powerful group of cotton growers—the planters of the American South—were now marginalized in the global economy, a global economy newly dominated by its industrial actors. More importantly, slavery, which had been so central to the first 80 years of the expansion of a mechanized cotton growing industry—and thus to global capitalism—had ended. New ways of mobilizing the labor of rural cotton-growing cultivators—in the United States and elsewhere—had emerged. War capitalism’s core features—the violent appropriation of the labor of African slaves, the violent expropriation of territories in the Americas by frontier settlers and the violent domination of global trade by armed entrepreneurs—had been replaced by a new world in which states structured sharecropping regimes and wage labor, built infrastructures and penetrated new territories administratively, judicially and militarily. This industrial capitalism contained within itself the violent legacy of war capitalism, and was all too frequently characterized by significant degrees of coercion. Still, it was a fundamentally new moment in capitalism’s long history.

And while today the world’s cotton growing countryside has changed once more, it is still often characterized by extreme poverty, political repression and a powerful presence of the state. In many years, huge government subsidies keep American and European producers in business, while a semi-military unit of the Chinese People’s Liberation Army is perhaps the single most important producer of cotton in the world today. Children still are forced to harvest cotton in some parts of the world. Extreme poverty characterizes the cotton growing areas of western Africa. As many as 110 million households are involved in the growing of cotton worldwide, testifying to the continued importance of the countryside and of agriculture to global capitalism.

As this episode from the endlessly fascinating global history of cotton shows, the significance of the American Civil War went well beyond the borders of the United States, and indeed, can only be fully understood from a global vantage point. And the same applies to the history of capitalism. Only a global perspective allows us to understand how this vastly productive and often violent new system of economic activity came into being—and only a global perspective allows us to understand the origins of the modern world we live in.







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