.
 Indian Native Servants from Bombay ... world4.eu | |
|
Thursday, October 13, 2011
Group of Bombay Servants-19 th century
GOHAR JAAN-Gauhar Jaan (Hindi: गौहर जान; 1873–1930) was an Indian singer and dancer or a tawaif from Calcutta. She was one of the first performers to record music on 78 rpm records in India, and released by Gramophone Company of India.
 | ||||||||||||||||
| ||||||||||||||||
[Gohar Jan]
Early lifeGauhar Jaan was born as Angelina Yeoward in on 26 June 1873 in Azamgarh, of Armenian descent Her father, William Robert Yeoward, worked as an engineer in a dry ice factory, and married her mother, Victoria Hemmings, in 1872. Victoria, an Indian by birth, had been trained in music and dance. In 1879 the marriage ended, causing hardships to both mother and daughter, who later migrated to Banaras in 1881, with a Muslim nobleman, 'Khursheed', who appreciated Victoria's music more than her husband. Later, Victoria, converted to Islam and changed Angelina's name to 'Gauhar Jaan' and hers to 'Malka Jaan'. In time, Victoria (now 'Malka Jaan') became an accomplished singer, Kathak dancer and a courtesan in Banaras, and made a name for herself, as Badi Malka Jan; she was called Badi (elder) because at that time three other Malka Jans were famous: Malka Jan of Agra, Malka Jan of Mulk Pukhraj and Malka Jan of Chulbuli, and she was the eldest among them. Finally, Malka Jaan moved back to Calcutta in 1883, and established herself in the courts of Nawab Wajid Ali Shah, who had settled at Matiaburj (Garden Reach), near Kolkata and within three years purchased a building at 24 Chitpore Road (now Rabindra Sarani), for Rs.40,000. It is here that young Gauhar started her training, she learnt pure and light classical Hindustani vocal music from, Kale Khan ofPatiala, ‘Kalu Ustad’, Ustad Vazir Khan of Rampur, and Ustad Ali Baksh (founding members of Patiala Gharana) andKathak from legendary Brindadin Maharaj (granduncle of Birju Maharaj), Dhrupad dhamar from Srijanbai, and Bengali Keertan from Charan Das. Soon she also started writing and composing ghazals under the pen-name ‘Hamdam’ and became proficient in Rabindra Sangeet. Gauhar Jaan gave her maiden performance at the royal courts of Darbhanga Raj in 1887 and was appointed as court musician, after receiving extensive dance and music training from a professional dancer at Banaras.[5] Gauhar Jan started performing in Calcutta in 1896 and was called the 'first dancing girl' in her records. Gauhar Jaan first visited Madras in 1910, for a concert in the Victoria Public Hall, and soon her Hindustani and Urdu songs were published in a Tamil music book. In December, 1911, she was famously invited to perform at the coronation of King George V at Delhi Durbar, where she sang a duet, Ye Hai Tajposhi Ka Jalsa, Mubarak Ho Mubarak Ho, with Jankibai of Allahabad. It is said that, Begum Akhtar in her early days wanted to pursue a career in Hindi films, but after listening to the singing of Gauhar and her mother, she gave up the idea completely and devoted herself to learning Hindustani classical music, in fact, her first teacher was Ustad Imdad Khan, who accompanied the mother-daughter duo on sarangi. Eventually, in her final days, she moved to Mysore, at the invitation of Krishna Raja Wadiyar IV of Mysore, and on August 1, 1928, she was appointed as a 'Palace musician', though she died within 18 months, on January 17, 1930 in Mysore. In her lifetime, she recorded more than 600 records from 1902 to 1920, in more than ten languages, including Bengali, Hindustani, Gujarati, Tamil, Marathi, Arabic, Persian, Pushto, French, and English. She would round off her performances for a record by announcing 'My name is Gohar Jan'. | ||||||||||||||||
Wednesday, October 12, 2011
THE GRAND MASTER -1750-SATIRICAL PAINTING OF BRITISH AS THE NEW MASTER OF INDIA
During his career, Thomas Rowlandson (1756-1827) produced some ten thousand engravings, etchings, ink and watercolour illustrations, in the era known as the Golden Age of British illustration.
His satirical prints were generally funnier than his predecessor, William Hogarth and less overtly political than those of his friend and fellow Royal Academy attendee, James Gillray.
His satirical prints were generally funnier than his predecessor, William Hogarth and less overtly political than those of his friend and fellow Royal Academy attendee, James Gillray.
"He has covered with his never-flagging pencil enough
charta pura (white paper) to placard the whole walls of China,
and etched as much copper as would sheathe the British Navy."
charta pura (white paper) to placard the whole walls of China,
and etched as much copper as would sheathe the British Navy."
Subscribe to:
Posts (Atom)