Friday, May 31, 2013

FARE WELL to Fiat taxi fleet ; other taxis of Bombay1700 ONWARDS


An august farewell for iconic Bombay cab

A

An august farewell for iconic Bombay cab

 

Double whammy for Fiat cabs- maximum age of taxis reduced from 25 years to 20 and deadline for scrapping ageing taxis brought forward by five years to July 31

The Fiat taxis - as much a sign of Mumbai's history as its decaying infrastructure - are set to go off the city's roads by August this year.

A government resolution (GR) issued on Tuesday has reduced the maximum number of years a taxi can run on Mumbai roads from 25 years to 20. Since a large part of the city's 10,000-odd Fiat taxi fleet - also called Premier Padminis -- falls in this age bracket and the GR mandates that they be taken out of service before July 31, the days of the dove-tailed yellow-tops are numbered.

The GR, however, has angered taxi unions as it, in just one stroke, shaves off five years from the earlier deadline - 2018 -- for getting rid of ageing taxis.

The same GR has also fixed the maximum age of autos at 16, which means 8,000 of these three-wheelers could be headed for the scrap yard or Mumbai's fringe towns where vigilance is lax.

Transport Commissioner V N More said the move is aimed at bringing in a younger fleet of cabs for commuters. "We completed the due process of sending the relevant papers to the chief minister's office on May 24.

The government acted promptly and issued the GR," he said.

Mumbai Taximen's Union chief A L Quadros, however, described the new GR as "needless pressure" on taximen, who are anyway struggling to cope with commuters' preference for newer, more modern taxis. "Why should the government do this when 1600 Premier Padmini taxis were voluntarily scrapped between January and May this year," he asked.

According to RTO records, the Premier Padmini is based on the long-obsolete Italian Fiat 1100D model that has been relegated to the history books in Italy.

Production of the 900 kg Padmini began in 1964 under a Fiat license, and only in 1973 were the vehicles, being built on the Premier Automobiles Limited production lines at Kurla, given the name Padmini.

While the production of Padminis -- named after a 14th century Rajput princess -- was scaled down drastically, it was stopped only in 2008.

"Many cabbies have replaced their cars with newer models despite some of them having been purchased as late as 2005-06. Hence, the number of Padminis taxis in Mumbai today is only around 10,000," he said.

More said with the Hakim Committee recommendations for fare hike came the demand for better taxis. "Since the Hakim Committee plan for fare hike has been implemented, it would have been unfair to wait till 2018 for taxis' upgrade," he added.

The hike implemented in October last year had raised fares by up to 40 per cent and it only aggravated commuters' anger over rickety, smelly Padmini taxis. "This is a good move by the government. None of these taxis are in good shape and they give a poor impression of the city. Many do not even have cabin lights," Nitin Dossa of the Western India Automobile Association said.

While Quadros does not have figures of how many Padmini taxis will remain on Mumbai roads beyond the July 31 deadline, he reckons there will be very few left. "That really will be sad because these taxis were solid, durable, and required little maintenance unlike the lighter, modern cars of today," he said
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Taxi Driver 1954 

 




OLD CHURCH GATE STATION 1940


The Apollo Bunder, Bombay
BEFORE GATE WAY OF INDIA WAS MADE:- THE PLACE WAS OCCUPIED BY 'VICTORIA'S

Bombay 100 Years Ago















 

 
 
 
 Old Bollywood & Indian Films : The Best Archives for Old Cars-img_3726.jpg
 
Cars out side Taj Mahal Hotel 1930
 
  Bombay Byculla Hotel 1925 now khada parsi
 View of Bombay Green

 https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWQR3KfNYaxg4t-PUGP94CxPU5vrhn_GqkXiNf5Qdaw7exHeqatUzV-Dv4AVnpSt44cDwDeq5ikfWRRyTa-cZIqyBjzIeK7k7653AzNgFZ0XnleRbXbCWJalIWvmcsQZRq_FLXFnk5Vq_r/s1600/Apollo+Gate%252C+Bombay.+1833.jpg

 Saint Thomas's Church, Bombay.
 
  1. Gateway To India - Bombay 1932

    A tour of the Indian city of Bombay (now Mumbai) in the 1930's. Footage from this film is available for licensing from ...
    • OFFICIAL
  2. 1930's Bombay, India: Sacred Cattle of Brahma

    1930's Bombay India: Shots of: Ancient Temples in Forest Areas; Cattle and cows lying down in the streets; cattle and cows ...
  3. Bombay, Mumbai, India in 1930. Film 6361

    Bombay, Mumbai, India in 1930. Amateur home movie Bombay bazaars: Kackaria Musjid, Chuckla, Pydoni and others.










Wednesday, May 29, 2013

Japan’s Rs 4K crore push for Mumbai Metro

TOKYO: In a double bonanza for the city, Japan has agreed to lend 71 billion yen (Rs 3,943 cr) in soft loan for the development of the underground third line of Mumbai Metro between Colaba and Seepz in Andheri as well as conduct a joint feasibility study for a high speed railway link with Ahmedabad.

This was decided at a meeting between Prime Minister Manmohan Singh and his Japanese counterpart Shinzo Abe in Tokyo.

The Metro route which includes 27 stations is expected to cost around Rs 24,700 crore. Mumbaikars can now expect the third metro line by 2020, four years after the original deadline of 2016.

The two sides have already completed a joint feasibility study on upgrading the speed of passenger trains on the Delhi-Mumbai route to 160-200 kmph.

Japan has also offered 17.7 billion yen (Rs 983 crore) for phase 2 of the campus development of IIT Hyderabad, and assistance for Indian Institute of Information Technology, Design and Manufacturing in Jabalpur.

The loan for Metro III will be given by the Japan International Cooperation Agency ( JAICA) at an interest of 1.44%. The overall cost to lay the 33-km underground route between Colaba and SEEPZ in Andheri via Bandra and the airport (27 stations in all) is expected to be Rs24,700 crore. Though the initial deadline was 2016, work is now expected to be over in seven years. "We can speed up the tendering process. The Japanese institution will monitor all developments and will assist us in implementing the project," said additional metropolitan commissioner SVR Srinivas. The loan is the first of three instalments that are expected to cover 40% of the project cost.

Regarding the Mumbai-Ahmedabad high-speed rail corridor, Indian Railways and the French National Railway Company (SNCF), too, have decided to carry out an operations and development feasibility study. The project cost is estimated to be Rs63,000 crore, the route length being 534 km. The project will take 10 years to finish. With trains running at 300 kmph, travel time between the cities will be cut down to two and a half hours, against seven hours taken by Duronto, the fastest train on the route at present.

There is also a plan to introduce trains on the Mumbai-Delhi corridor that can achieve speeds of 200 kmph—double the speed of the Rajdhani Express.

Thursday, May 23, 2013


Soon, crime scene simulator for UT police


CHANDIGARH: Chandigarh Police is all set to introduce the facility of crime scene simulator to train its staff to deal more efficiently and swiftly with an emergency situation.

The simulator, which will be set up at a budget of Rs 35 lakh, will create a crime or an accident scene and help policemen learn under controlled conditions.

"Police have to deal with many unpredictable situations at crime spots. Many cops face them for the first time and these require utmost precision to ensure that crucial evidences are not lost. Crime scene simulators will train our force to deal with actual crime situations more efficiently," said Alok Kumar, UT deputy inspector general of police.

"Many crime investigation agencies in America and Europe use these simulators and the results are very fruitful. It will help reduce the reaction time of cops significantly," he added.

The simulator labs will be set up at Police Lines in Sector 26. Police officers said training would be compulsory for all cops.

On May 7, the UT police had drawn flak for its "insensitive" approach while dealing with an accident case. Cops had taken Sharmila Sharma, a 34-year-old woman, to a hospital two hours after she was hit by a CTU bus.

Wednesday, May 22, 2013


Cabinet seeks to let Gavit off in graft case




MUMBAI: The state cabinet on Wednesday recommended to governor K Sankaranarayanan that it did not intend to prosecute medical education minister Vijaykumar Gavit in a decade-old corruption case. The decision will do little to change public perception that the Maharashtra government is not serious about checking graft.

Chief minister Prithviraj Chavan approved the cabinet's recommendation to be submitted to Raj Bhavan after a cabinet note was read out by social justice secretary R D Shinde amid prolonged silence from fellow ministers. Showing no signs of hesitation, the cabinet overruled an 11-page report of the state home department favouring prosecution of Gavit for his alleged involvement in fraud of Rs101 crore.

The cabinet went by a commissioner-of-inquiry report and the opinion of the then advocate general Ravi Kadam, both ruling out criminal foul play, but finding the NCP leader guilty of "dereliction of duty, lack of supervision and a victim of manipulation by lower level officials". The evidence, the cabinet ruled, was not enough to pursue a case against Gavit.

The decision was taken without vetting any case papers, documentary evidence or examining the presence of malafide intention. "This is a shameful day for Maharashtra politics and hopefully the governor will take note of this by taking the advocate general's view," said a cabinet source. The governor had asked the chief secretary to place before the cabinet the proposal to decide if Gavit should be prosecuted. The governor can overrule the cabinet decision if he so desires.

The case pertains to the grant of financial assistance to the poor under three centrally sponsored schemes between 1998 and 2000. The state government has already given sanction for prosecution against 49 public servants, including divisional commissioners and collectors, involved in the scam.

A source said that though the home department was in favour of prosecuting the minister, senior Congress and NCP members were opposed to it fearing an adverse effect on the government's image at a time when elections are near. Approval to open Gavit's case file would have opened the floodgates of demand for prosecution of other high-profile individuals figuring in corruption cases. At least a dozen senior leaders of the NCP and the Congress, including senior ministers, are facing graft charges.

"Both the chief minister and the deputy chief minister were opposed to Gavit's prosecution since sanction for it would have affected the stability of the government," said a senior minister. "Nobody wanted this sanction to come through as the rest of us would have met the same fate when our turn came. We just cannot prosecute ministers on the basis of mere allegations."

Re 1 rent for 1,672 square metres in Matunga



MUMBAI: * In 1873, K S Thakkar and four others were given 2,350 square metres of land in Mazgaon for next to nothing. The lease rent was Rs 1.53 a year. The lease expired in 1972, but the collector has not bothered to renew it and meekly collects the rent set 140 years ago

* Yahyabhai Adamji Jasdanwala and two others leased a land measuring 1,814.39 sq m in Byculla in 1885. The lease lapsed in 1994, but the amount collected continues to be Rs 5.65 a year

* M/s Prithvi Cotton Mills has two leased properties admeasuring 1,597.83 sq m in Malabar and Cumbala Hill, for which the lease expired in 1996. But the rent the state gets stands at Rs 4.98 a year.

* Yo San Ching Than Bing and two others leased a 1,672.25 sq m property in Matunga. Despite the lease ending in 1998, the collector's office collects a pittance of Re 1 annual rent, which was set in 1889.

* The lease rent of Rs 1,592.94 a year for Retreat House in Bandra, with an area of 94,200 sq m, has not been revised since the lease expired in 1950

Lease deals for close to 700 properties in the island city and suburbs have run out of time. For most, the leases ended years ago. Yet the lessees continue to pay rents set over a century ago, sums that amount to a trifle today.

Former central information commissioner Shailesh Gandhi sought information under the Right to Information ( RTI) Act on lands that Mumbai's two collectors let out. Gandhi estimated that the city collector books an annual loss of about Rs 1,550 crore and the suburban collector a loss of about Rs 1,200 crore because leases have not been renewed.

What is shocking is that the city collector's office is clueless about another 103 properties that have been given out and hence does not know when those leases end. "Some leases are renewed, while some are allowed to continue at the old rates. What are the reasons for such irrational actions? This is due to carelessness or corruption," said Gandhi.

Currently, the annual revenue from all the 1,278 properties leased out by the city collector is Rs 48.82 crore and the 295 plots let out by the suburban collector fetch Rs 20.59 crore. City collector Chandrashekhar Oak said it is true that the leases for about 550 properties have ended, but his office had started sending out letters asking lessees to shell out the new rent or buy out the property. Mumbai suburban collector Sanjay Deshmukh said his office had already sent out 129 notices for expired leases.

Both the collectors reasoned that there had been a delay in collecting new rents because the 1999 rent renewal policy of the state had been challenged in the Bombay high court and the state had drawn up a fresh one only in December 2012.

Gandhi said citizens must speak against the state policy of selling off these properties at subsidized rates of 20% for residential, 25% for industrial and 30% for commercial. Applying an average of 25% on all plots, Gandhi said the ownership rights would be given out for Rs 2,248 crore by the city collector and Rs 1,841 crore by the suburban collector if all the properties were sold. "Citizens must protest before the government dispossesses us of our land and legitimate revenue. If we can get the government to auction off the leases in Mumbai and all over Maharashtra we could have a revenue stream of over 25,000 crore each year," said Gandhi.
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Maharashtra has not used most funds for modernization of police



MUMBAI: State home minister R R Patil's claim on Tuesday that his government had utilized most funds from the Centre for modernization of the police force is hollow.

Union minister of state for home Mullappally Ramachandran, responding to a question raised by Congress member Ambika Soni in the Rajya Sabha on May 8, submitted that Maharashtra was among the 10-odd states that has not utilized the funds. Soni had sought information on the release of financial aid to state governments for modernization of state police forces, total funds granted, released and utilized during each of the last three years and whether the Centre had received requests from state governments to sanction additional funds for modernization in view of increased terrorist activities in the country.

Ramachandran had said that the Centre had been releasing funds for the construction of police stations, outposts, barracks, police lines, residential quarters for lower and upper subordinate police personnel, procurement of vehicles, communication and security equipment, modern weaponry and creation of training facilities. Last year, special funds were released to some states, including Maharashtra, to acquire vehicles, weapons and equipment. "Based on fund availability and on assessment of needs, additional funds have been released to state governments out of the contingency reserve fund of the modernization,'' he said.

The Centre had released Rs 42.26 crore to the state, out of which it utilized Rs 35.30 crore in 2010-11, as per the statement tabled in Parliament, while in 2011-12, out of Rs 64.72 crore released, the entire amount was not utilized. For 2012-13, the Centre released Rs 29.63 crore, but no information has been submitted to the Centre on utilization. In addition, the Centre released Rs 5 crore in 2012-13 for purchase of vehicles, communication equipment, and weapons and equipment to fight anti-national operations.

A senior bureaucrat said replies to questions in Parliament are given on the basis of information submitted by the state government. "When the issue was raised in Parliament, information was sought from the state home department on utilization of modernization funds and the reply was based on that information. If the state government did not provide specific information, the Centre assumed that the state did not utilize the funds. We have no option but to accept the reply,'' he said. Even the comptroller and auditor general ( CAG) had passed strictures against the state home department for non-utilization of funds.

Patil was unable to furnish specific details of utilization of funds and senior home department bureaucrats were unable to explain it.

Tuesday, May 21, 2013

BRITISH ARMY 1800 - 1900 at MALTA (family history)

http://website.lineone.net/~remosliema/britisharmy1.htm

British soldiers in the eighteenth century


British Grenadier of the 40th Regiment of Foot in 1776
 


Redcoat soldier of the 29th Regiment of Foot in 1742

33rd Regiment of Foot
The 33rd Regiment of Foot
87th Regiment of Foot uniform
87th Regiment of Foot uniform

























19th Century British Military Uniforms

Plate scans from British Military Uniforms by James Laver, published in 1948.
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The Lost Mumbai (Bombay)

http://discoverindiabyroad.blogspot.in/p/lost-mumbai.htmlhttp://discoverindiabyroad.blogspot.in/p/lost-mumbai.html

bandstand revival project-Mumbai nee Bombay-{adding some pictures of bombay band 1820}

The last gig of the bandstand revival project this summer is at Dadar Chowpatty this Saturday

Tuesday, May 21, 2013, 12:30 IST | Place: Mumbai | Agency: DNA Web Team
Street music culture is taking the city by storm, find out why and also about its rich historical background
Last Sunday evening was no ordinary one at Dadar Chowpatty, where saxophones and electric guitars intoxicated the hot summer air with jazz, blues and funk music. Performances by bands like Far Out Funk, Live Cycle and singer song writer Alisha Pais's group sparked an impromptu dance war by B-boys present there and several people from the audience — kids, college students, middle-aged women who spontaneously came forward to groove to the pulsating beats.

Photo Credit- Payal Kapadia
Similar gigs have been entertaining Mumbaikars every Saturday for the past two months as part of the 4th season of The Bandstand Revival Culture — a musical movement with a rich historical background. As explained by The Bombay Chamber Of Commerce And Industry (BCCI) outdoor musical performances which were iconic in the city during the 1850s.
Bombay's Bandstand culture of the 1850s
The marching of a band with drums and fifty other instruments from the Town Major (located at the east-end of Hamam Street, Kala Ghodaup to the end of Military Staff buildings) along with a brass band of an Infantry regiment promenading the Mumbai Green (a vast fifteen-acre open-space opposite the Town Hall in the South Mumbai, now smaller Horniman Circle Garden) during the late evenings was a common sight since the time the Governor of Mumbai resided in the Fort (now popularly known as the Old Secretariat).
This custom came to a standstill when in the 1860s the building was given up to build the Eliphinstone (now Horniman) Circle and other buildings. Following demolition of the Fort Walls, regimental bands began to play on the new reclamation at Apollo Bunder, where the Yatch Club, the Taj Mahal Hotel and The Gateway Of India now stand.
As the Mumbai City Improvement Trust developed new suburban areas north of the island city, bandstands were built. These included — Cooperage Garden, Girgaum Chowpatty (Kilachand Park), Victoria Garden at Byculla (now Jijamata Udyan), Sir Pherozeshah Mehta Garden (popularly known as Hanging Garden), Joseph Baptista Garden on Mazgaon Hill, King’s Circle Garden (Maheshwari Udyan) at Sion, Parsi Colony in Dadar and Bandstands in Sanjay Gandhi National Park.
The services of regimental and private bands were engaged and the dates and venues were advertised in daily newspapers. A tremendous excitement was evident among the spectators at each recital. The performance held at Apollo Bunder on February 28, 1948, marked the departure of British forces from India and was perhaps one of the most moving ones. The soldiers closed ranks and marched slowly through the Gateway to the tune of Auld Land Syne played by the bands.The Governor read his farewell message and troops marched down the stairs to their boats. The bands stopped playing a few years after Independence.

Photo Credit- Payal Kapadia
The Bandstand Revival Project is an initiative by the BCCI. "The project is not only a celebration of the city's lost cultural legacy but also  an attempt to consolidate bandstand music in by encouraging live outdoor gigs in the city. It provides a platform for youth bands to showcase their talent to a diverse audience while at the same time brings the music free of charge to people who cannot afford to attend live performances at pubs and private clubs."

This season the gigs have been a musical potpourri of Hindustani classical artists (violinist Sunita Bhuyan and sitar player Chandrashekhar Phanse] singer-songwriters ( Winit Tikoo,Imli Imchen, Alisha Pais],Hindi and English rock and fusion acts (Lambada, Sparsh, Agnee, Sur, Empty Cafe, VRavi Guitar Fusion).
Photo Credit- Rolling Pin Pictures
Chandrashekar Phanse and Sur Live At Dadar Chowpatty

The performance on May 11th were by the winners of the People's Choice gig (based on an online poll conducted by NH4). The project also featured Municipal Corporation of Greater Mumbai (MGCM) band and the Mumbai Police Band who are known to play popular numbers from Bollywood.
27 year-old Stuart Dacosta a vocalist from Mumbai-based band Something Relevant and one of the main organisers of the project says, "This season's aim of The Bandstand Revival Project has been to connect to more people by encompassing diverse genres of music. I feel inspite of limited resources we have definitely been able to achieve it, as evident by the large crowds that have gathered at most gigs.For the first time since the project's inception there has been a standing ovation for two performances.”

Photo Credit-TTW
Stuart Dacosta, an active organiser of the Bandstand Revival Project
Dacosta adds, "We plan to introduce a winter season between October and November, where we will explore venues in North Mumbai too. In time, we hope to promote such musical gigs on a national level and form a society for the same.”

The venues of these entertaining evenings this time were Hornimam Circle, Dadar Chowpatty and Kamla Nehru Udyan (Hanging Gardens).

Photo Credit-TTW
Manan Gupta, winner of the People's Choice gigs at Kamla Nehru amphitheatre

Photo Credit-Payal Kapadia
Audience at Dadar Chowpatty for the bandstand gigs
Rohan Ramanna leader of Jazz Funk band "Live Cycle" and a professional musician says, "Such venues help use beautiful outdoor spaces apt for live musical performances, and create more space for such gigs in a city that has limited indoor venues for the same. Outdoor performances give artists a chance to have an immediate connection with the audience which is truly rewarding."

Singer and songwriter for band Folk Fusion, Pratyul Joshi one of the winners of the People' Choice gigs says, "Bandstand gigs are a valuable space for marketing genres such as indie, folk, old school and other non-commercial forms of music."

A fan, Marc Biefnot posted on the project's official Facebook page, "Excellent gig and "bon enfant" atmosphere. Bandstand Revival has to be the best thing that has happened to Mumbai in a long while!"

This is what Mumbaikars have to say on Twitter about the gigs-


17 year old Shreya Arya, student at K.C College who has attended several of The Bandstand Revival Project's gigs in the past month says, "On a social level the gigs bring together people from different strata of society to appreciate music together."

Details of the last gig have finally been released! Catch Whirling Kallapas (acoustic rock), Suneeta Rao (hindi/pop)
and Mumbai Police Band (Marshall music) on May 25th at Dadar Chowpatty.
Don't miss it, because it is sure to be a memorable one!
====================================================



Bombay GREEN (NOW HORNIMAN CIRCLE)CAN SEE THE COTTON BUNDLES AND PORTERS , THE ARMY PARADE,A BAND OF YOUNG BOYS AT LEFT EXTREME WITH BUGLES AND DRUM ,ST.THOMAS CHURCH IN THE BACK GROUND,EAST INDIA COMPANY OFFICES ,SENIOR ENGLISH MILITARY OFFICER BEING CARRIED ON A DHOOLIE BY INDIAN PORTERS  ARMED GUARDS WITH DRAWN SWORDS WALKING IN FRONT.ALSO IN THE BACK OF THE GROUND CAN SEE A COVERED VICTORIA HORSE CARRIAGE WITH ANOTHER MUSIC BAND PRECEDING  THE CARRIAGE,[MAY BE SOME IMPORTANT ENGLISH MAN/OFFICER] [I DONT UNDERSTAND WHY SO CALLED ANIMAL LOVERS WANT TO BAN HORSES AND HORSE CARRIAGE IN MUMBAI?! IT IS OUR HERITAGE ]



ANOTHER PAINTING OF BOMBAY GREEN SHOWING COTTON MERCHANTS /COTTON BUNDLES FOR SALE/HAMALS(PORTERS);COTTON BEING WEIGHED ON A TRIPOD .IN THE BACK GROUND 'TAXIS'IN WAITING-CAN SEE A DHOOLIE ON LEFT AND AN OX CART ON RIGHT

Elphinstone Circle Garden(NOW NAMED HORNIMAN CIRCLE GARDEN) AFTER BOMBAY GREEN WAS CONVERTED TO A GARDEN; gate and St. Thomas Church in Back Ground.1900 
 
TOWN HALL IN FRONT OF BOMBAY GREEN 1850'S


Church gate street in Bombay Fort 1860;SECOND ENTRANCE IS BOMBAY TIMES(NOW TIMES OF INDIA)WHILE THE FIRST SHOP IS FAVRE BROTHERS(NOW FAVRE LEUBA )WATCH COMPANY.A HORSE AND A DHOOLIE CAN BE SEEN INFRONT OF BOMBAY TIMES OFFICE.FAR IN THE BACK GROUND IS CHURCH GATE  OF BOMBAY FORT[VIEW FROM INSIDE BOMBAY FORT]



MAP OF BOMBAY CITY , FORT AND HARBOUR 1700'S




BOMBAY ISLAND ,SOUTH OF SALCET ISLAND -BOMBAY ISLAND NORTH IS MAYEN(MAHIM),CAYMAN WITH FORT(SION)


https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWQR3KfNYaxg4t-PUGP94CxPU5vrhn_GqkXiNf5Qdaw7exHeqatUzV-Dv4AVnpSt44cDwDeq5ikfWRRyTa-cZIqyBjzIeK7k7653AzNgFZ0XnleRbXbCWJalIWvmcsQZRq_FLXFnk5Vq_r/s1600/Apollo+Gate%252C+Bombay.+1833.jpg

APOLLO GATE OF BOMBAY FORT ,ENGLISH SOLDIERS CAN BE SEEN IN RED SHIRT AND WHITE PANTS(ON HORSE)AND RED SHIRT BLUE PANTS NEAR HARBOR GATE WHILE ENGLISH MERCHANTS ARE SEEN IN WHITE AND WHITE HAGGLING WITH AN INDIAN MERCHANT IN THE  FOREGROUND.  [BEFORE THE ROUND WHITE DOMED ICE HOUSE WAS MADE NEXT TO THE CHURCH]


 
Scotch Church, Court-House, and entrance to the Dock-Yard 1850[AFTER THE WHITE ROUND DOMED ICE HOUSE MADE NEXT TO CHURCH]


Saint Thomas's Church, Bombay.[The Bhandari Militia was the first Police establishment in Mumbai (then Bombay) during British India. Marine Police Force- After the setting up of the British East India Company in Bombay, the Middle Ground Coastal Battery island (situated a few hundred metres away from the Gateway of India), was fortified in 1682 to curb the piracy in the area. Later a marine police force, composed of Bhandaris, were stationed there to keep an eye on the pirates who used to board ships. The Bhandaris were chosen for their loyalty, honesty and local knowledge. With their yellow trousers and blue turbans , the police were a formidable sight. After piracy moved to the South China Sea, about two hundred years ago, the police were disbanded and the Royal Navy gained control of the rock]

Saint Thomas's Church, Bombay.

Sunday, May 19, 2013


55 acres of barren land to turn into green stretch


MUMBAI: A first-of-its-kind social forestry project in the city is to be launched shortly in suburban Mankhurd on 55.5 acres of barren land.

The Brihanmumbai Municipal Corporation (BMC) plans to pump Rs 1.5 crore into the project, which is aimed at improving the environment as well as the quality of life in the suburb.

To strike a balance between human needs and the environment, the project envisions the creation of public amenities such as playgrounds, creches and toilets along with a green cover.

The endeavour will be undertaken by the social forestry committee headed by suburban district collector Sanjay Deshmukh.

The land identified for the project is near Mankhurd railway station. It adjoins a large slum area, and one side of it is just a few metres from the Mankhurd-Vashi road.

The sprawling open space is today used for defaecation by slum-dwellers. Children from the slums also use it as a play area.

The social forestry project aims to create a slew of social amenities along the periphery of the project area, while environment-friendly initiatives like water recycling will be taken up within the new forest.

"We are creating a boundary (for the forest) with social amenities, such as playgrounds and toilets, and solid waste recycling pits," consultant architect P K Das said. "We will also use the inner area for recycling of waste water by creating water ponds and lagoons."

Space for leisure and relaxation will be ensured by creating forest walkways while social activities will be encouraged along the periphery, said Das.

"We will use the edge of the forest for various social activities for communities living around these forests; there will be samaj mandirs, balwadis, women's welfare centres, creches and public conveniences," Das said. "We hope to engage the slum-dwellers in the development and its subsequent protection of the forest."

Standing committee chairman Rahul Shewale said issues such as garbage disposal would be tackled in an environment-friendly manner with the project while people reaped other benefits like getting streetlights that would run on green electricity.

"This project is in my ward and we had made a token provision of Rs 1 crore during the Open Mumbai exhibition," he said. "Already, there is door-to-door collection of garbage in slums. The compost pits on the periphery of the forest will sort out garbage disposal issues of wards 134, 135 and 136. We will put up a biogas plant to generate electricity for streetlights."

He said Rashtriya Chemicals and Fertilizers (RCF) would be roped in for the operation and maintenance of the project.

The estimated cost of the first phase of the social forestry project is Rs 1 crore.

Das said the project would show that humans benefit from living harmoniously with nature.

"Lagoons essentially facilitate a natural process of treating waste water and nurturing natural flora and fauna, including the growth of the forest," Das said. "We are able to expand the idea of forestry to make it pertinent and beneficial to urban population, more particularly the lower income groups, the middle class and the urban poor. This ought to be a significant socio-environmental movement in the city."

Tuesday, May 14, 2013


click:-Bombay, It's Ours » Taj Mahal Foxtrot

www.tajmahalfoxtrot.com/?p=246
Jun 11, 2011 – As a finale, they performed this song: Bombay Meri Hai – a tune that .... In 1975, he wrote another Bombay song, this time about the bumala, .. -------------------------------------------------------------------------------------------------------------------------------------
Bombay meri hai by naresh fernandes
Perhaps because it’s invariably performed alongside tunes like Galyan Sakli Sonyachi and Sonyachi Kavla, I’d always thought of Bombay Meri Hai as a traditional Bombay Catholic tune. So I was more than a little intrigued when, deep into the graveyard shift at The Times of India in 1991, my Parsi colleague Roxanne Kavarana told me that not only did she know the man who had composed the tune, she was actually related to him. Over the next few years, I’d come to learn a little more about how Mina Kava came to compose the first-ever Indo-pop hit.
This photo was taken in 1958, when Mina Kava – peering out from behind the drums – was still a few years away from his burst of success (or at least success as defined by the standards of the tiny world of Indian dance music). It was shot at the Bandra Gymkhana when his band, the Music Makers, was staffed with best-known performers of the Bombay jazz world: pianist Toni Pinto, trumpet player Chic Chocolate and saxophonist Norman Mobsby. If you look closely, you’ll see that the photo was signed at the bottom by two visiting American musicians: Dave Brubeck and Joe Morello. (Not pictured here are six men who were vital to the smooth functioning of the Music Makers and indeed, most Bombay dance bands of the time – well-muscled coolies. “Sure, we had to transport the piano from venue to venue,” Kava explained.)
Kava gave his first performance playing the harmonica on AIR’s Children’s Hour. After a stint as the leader of Phiroze Damri’s Hohner Harmonica Band, he began to take piano lessons so that he could start working on his own compositions. He rounded out his musical education with drumming lessons from Karl Lord, who lived around the corner from him, near Almeida Park in Bandra, and Hindustani vocal training with Pandit P Madhukar. After doing two bachelor’s degrees (he got a BA from St Xavier’s College and a BCom from Sydenham), Kava started playing percussion instruments for Hindi film soundtracks. But he gave up when he decided that the film industry was “run by cliques”.
In 1969, the recording company HMV asked Kava and the Music Makers to write a song about the city in which he lived. Kava had already made a few records for the company by then (and had changed his name at the insistence of HMV’s publicists), but his tunes hadn’t quite captured the imagination of the public. Like all the songs he made in English, the lyrics had been written by his formidable wife Naju and carried a whiff of Edwardian innocence about them. In 1966, they’d made their debut with an ode to their home state, which had been born only six years earlier. It was called Evening in Gay Maharashtra. (I have since given a copy to my friend, the queer activist Vikram Doctor, and he says that a remixed version of the tune is played occasionally at parties thrown by his Gay Bombay group.) They followed up with Viva La India. Kava even recorded a couple of bhajans, with vocals by the playback singer Krishna Kalle.
Evening in gay maharashtra by naresh fernandes
But Bombay Meri Hai broke the mould and established the template for the Indo-pop boom that would emerge in the mid-1990s. It had bilingual lyrics, ranged Indian instruments alongside Western ones and had an insanely addictive melody. It accomplished something else none of Kava’s previous recordings had managed: “It made money,” said Maurice Concessio, the long-time bandleader who earned his share of the loot because the B side of the record featured Ritabelle, a tune he’d written about Raj Kapoor’s daughter. The record brought him “lots of royalty cheques”, Concessio told me with evident glee.
The voice that invited listeners to sample Bombay’s delights – idli-dosa, hot samosa, among them – belonged to Uma Pocha. Her younger sister Usha Uthup was already finding her way through India’s pop music world (she won a Padma Shri earlier this year). But for Uma Pocha, music was just a hobby. She would soon earn her medical degree and spend the next few decades working in municipal hospitals. Before she disappeared into the hospital wards, though, she was invited to perform at a concert for the Save the Country Fund in Colombo in 1970.
Ceylon, as the country was then called, was very familiar with latest Hindi film hits. The Indian government had banished film music from All India Radio only a few years after Independence, so Radio Ceylon, left with several powerful transmitters set up by the British for wartime broadcasts during WW II, saw an opportunity to draw in advertising revenue. In 1952, for instance, it started the Binaca Geetmala countdown of Hindi film hits, a show that it continued to broadcast until 1994. Bombay Meri Hai, which was broadcast frequently on Radio Ceylon’s pop programmes, had a great advantage. The dholak-propelled rhythm is remarkably similar to the beat that enlivens the baila songs that Sri Lankans love, so it wasn’t surprising that they adopted Bombay Meri Hai with such a passion.
I haven’t had the chance to ask The Jetliners how they discovered Bombay Meri Hai. It’s entirely likely that they heard it in Bombay, the year it was released. After all, in 1969, the Sri Lankan group were the house band at Blow Up, the discotheque of the Taj Mahal Hotel in Bombay and they recorded two albums when they were in the city: The Jetliners Go Go at Blow Up and The Jetliners at the Taj Mahal Bombay.
However, back at Almedia Park in Bandra, the passage of time would not be kind to Mina Kava, the man who created the first-ever Indo-pop hit. In conversations with him over the years, I would learn about feuds with his record company about royalty payments, quarrels about property and other baroque disappointments too complicated for me to understand. In 1975, he wrote another Bombay song, this time about the bumala, as Parsis know that famous fish, the Bombay duck. But it didn’t become anywhere near as popular at Bombay Meri Hai.
Bombay duck by naresh fernandes
By the time he passed away in 2002, Kava seemed to have lost much of the joy evident in Bombay Meri Hai. But the delight that his tune still brings is proof of how, once it is released into the world, music acquires a life of its own, independent of its creators. That’s clear from this Sinhalese version of Bombay Meri Hai, sung by Milton Silva.
Ran ran ran by naresh fernandes