Monday, July 7, 2014

watson hotel- Bombay-1870



Esplanade's glory days, and a certain Mr Watson
By Fiona Fernandez |Posted 07-Jul-2014

Today, as passersby cross the dilapidated Esplanade Mansion at Kala Ghoda, they might probably be unaware that this long-forgotten landmark once played a huge part of India’s grand cinematic and cultural history, and remains a treasure as far as its architectural high points go.

Back in 1896, on this day, Watson’s Hotel, the earlier avatar, was the venue for the first-ever (silent) film screening on the Indian subcontinent by none other than the Lumiere Brothers’ Cinematographe.






This rundown structure remains one of the earliest surviving examples of cast-iron architecture in India. The entire frame of this building was fabricated in England, and was erected on-site between 1867 and 1869.

Named after its first owner, John Watson, this whites-only hotel was a hit in its glory days with the colonists, and was the place to be seen at and stay at, well before the Taj Mahal Hotel came up at the Apollo Bunder.
Bombay+%2528Mumbai%2529+from+Watson%2527s+Hotel+-+19th+Century+photograph
Of course, the most popular myth centred on it is that the staff at Watson’s denied entry to baron Jamsetji Tata, who decided to build a bigger, better hotel where all were allowed — the iconic Taj Mahal Hotel.



watson hotel,only for white skins-1870



servers -many were Indians ,other Indians were not allowed
Curious, we decided to pore over dusty archived notes on this neglected jewel, only to discover that the man behind it — John Watson was an enterprising and wealthy British merchant, who gave Bombay its first large, luxurious hotel, though its doors were only open to the Europeans.
'Bombay - The Esplanade and Colaba in the distance. March 1870 (from the top of Watson's Hotel).

Bombay - The Esplanade and Colaba in the distance. March 1870 (from the top of Watson's Hotel).--Artist: Lester, John Frederick (1825-1915)-Date: 1871-

 

Flora Fountain, built in 1864, is a fusion of water, architecture and sculpture, and depicts the Roman goddess Flora. It was built at a total cost of Rs. 47,000, or 9000 pounds sterling, a princely sum in those days.

 VIEW FROM OUTSIDE
The Flora Fountain was erected at the exact place where the Church gate (named after St. Thomas Cathedral, Mumbai ) stood before its demolition along with the Mumbai Fort.The above photo of church gate of  fort Bombay -can see the gate,the moat filled with water to prevent enemies(first portuguese and pirates from malabar later Maratha army and

Portuguese soldiers in India 1700's

 
 ENGLISH SOLDIERS
for nearly twenty years Bombay lived in fear and trembling. In 1750, Grose laments that the friendly, or, at worst, harmless belt of Portuguese territory that used to guard them from the Marathas was gone. They were face to face with a power, unfriendly at heart, whose officers were always pressing the government to lead them to Bombay, and let them raze its wretched fort and pillage its markets

[Grose gives interesting particulars of these terrible Marathas,
who had taken Thana and Bassein, and who held Bombay in the hollow of their hands. Most of them were land-tillers called Kurumbis, of all shades from deep black to light brown, the hill-men fairer than the coast-men. They were clean-limbed and straight, some of them muscular and large bodied, but from their vegetable diet, light, easily overborne in battle both by Moors and by Europeans. Their features were regular, even delicate. They shaved the head except the top-knot and two side curls, which, showing from the helmet, gave them an unmanly look. The rest of their dress was mean, a roll of coarse muslin round the head, a bit of cloth round the middle, and a loose mantle on the shoulders also used as bedding. The officers did not much out figure the men. To look at, no troops were so despicable. The men lived on rice and water carried in a leather bottle; the officers fared little better. Their pay was small, generally in rice, tobacco, salt, or clothes. The horses were small but hardy, clever in rough roads, and needing little fodder. The men were armed with indifferent muskets mostly matchlocks. These they used in bush firing, retreating in haste to the main body when they had let them off. Their chief trust was in their swords and targets. Their swords were of admirable temper, and they were trained swordsmen. European broadswords they held in contempt. Their targets were light and round, swelling to a point and covered with a lacquer, so smooth and hard that it would turn aside a pistol shot, even a musket shot at a little distance. They were amazingly rapid and cunning. The English would have no chance with them. They might pillage Bombay any day. [Grose's Voyage, I. 83. In spite of this Maratha thunder cloud, Bombay was advancing rapidly to wealth and importance.]

Grose, who wrote in 1750, the reasons why the English did not help the Portuguese were, ' the foul practices' of the Kandra Jesuits against the English interest in 1720, their remissness in failing to finish the Thana fort, and the danger of enraging the Marathas, whose conduct of the war against the Portuguese deeply impressed the English. Voyage, I. 48-51.]
Except five churches, four in Bassein and one in Salsette, which the Maratha general agreed to spare, every trace of Portuguese rule seemed fated to pass away.
  The Portuguese placed their interests in the hands of the English. The negotiation was entrusted to Captain Inchbird, and though the Marathas at first demanded Daman and a share in the Goa customs, as well as Chaul, Inchbird succeeded in satisfying them with Chaul alone. Articles of peace were signed on the 14th of October 1740 Bombay was little prepared to stand such an attack as had been made on Bassein. The town wall was only eleven feet high and could be easily breached by heavy ordnance; there was no ditch, and the trees and houses in front of the wall offered shelter to an attacking force
A ditch was promptly begun, the merchants opening their treasure and subscribing £3000 (Rs. 30,000) ‘ as much as could be expected in the low state of trade’; all Native troops were forced to take their turn at the work; gentlemen and civilians were provided with arms and encouraged to learn their use; half-castes or topazes were enlisted and their pay was raised; the embodying of a battalion of sepoys was discussed; and the costly and long-delayed work of clearing of its houses and trees a broad space round the town walls was begun. Though the Marathas scoffed at it, threatening to fill it with their slippers, it was the ditch that saved Bombay from attack.

History of Bombay city[1670 ONWARDS] under Maratha ...

mumbaireadyreckoner.org/.../history-of-bombay-city1670-onwards-und...
Sep 5, 2011 - Weavers came from Chaul to Bombay, and a street was ordered to be built ...... It was open to attack from the Sidi, the English, or the Marathas.

 

for nearly twenty years Bombay lived in fear and trembling.






Kanhoji Angre'S FLEET OF MARATHA WAR SHIPS

The Fort, Bombay, Harbour face wall,- 1863.--Date: 1863--Photographer: Unknown

The Fort, Bombay, Harbour face, 1863.
GUNS POINTING DOWN INTO MOAT


 
Watson owned a drapery store south of Churchgate Street,

 and successfully out-bidded others in securing prime land at the Esplanade. He designed and built Watson’s without any chief architect, using red stone plinth, while the bases for the columns and the plinth came directly from Penrith in Cumberland, UK. He even brought down maids, waiters and waitresses from England to ensure the memsahibs and officers didn’t get homesick.


Church Gate Street of bombay fort , --(and Times of India office).Photographer: Unknown Medium: Photographic print Date: 1860 

{VIEW FROM INSIDE BOMBAY FORT ,BEFORE DEMOLITION OF FORT WALLS AND GATES}

Church Gate Street, Bombay.


This view of Churchgate Street, now known as Vir Nariman Road, in the Fort area of Bombay was taken in the 1860s to form part of an album entitled 'Photographs of India and Overland Route'. Churchgate Street runs from Horniman Circle at the east end to what was originally named Marine Drive at the edge of the Back Bay. Churchgate Station, the old General Post Office (now the Telegraph Office) and the Cathedral Church of St Thomas, the oldest still-functioning structure in the city, are all located along its length. However, Churchgate Station and the Post Office were later additions to the street and would not have been in existence at the time of this photograph.

In fact, hard as it might be to imagine today, Watson’s served as a landmark in its time for ships entering the harbour! There’s more, too. One of the hotel’s most popular guests was Mark Twain,

 
 who went on to write about the crows he saw from his balcony in Following the Equator.

By the 1960s, the hotel had to close down and was partitioned into tiny cubicles that were rented out. Today, this 83,000-sq ft property, believed to be valued at Rs 450 crore, waits to be restored and redeveloped entirely, and one hopes, to its past glory, as reported by mid-day in July 2013.

To sign off, here’s a poignant observation crafted by the great Twain, while on a night stroll during that stay-in, in 1896, “…everywhere on the ground lay sleeping natures hundreds and hundreds. They lay stretched at full length and tightly wrapped in blankets heads and all. Their attitude and rigidity counterfeited death.”


The writer is Features Editor of mid-day

Search By:
Year

Country

Home

People

Films

Articles

Store
7/7/1896: India's First Screening
The Watson Hotel, Bombay
In early July 1896, The Times of India ran an advertisement proclaiming the arrival of “the marvel of the century” and “wonder of the world” at the elite Watson’s Hotel in Bombay, while the nearby Madras Photographic Stores carried a more modest advertisement for ‘animated photographs’.   On the evening of the 7th, Marius Sestier, an agent for the Lumieres, held four screenings at the hotel, each of them with an admission charge of one rupee.   The audience, which largely comprised of British officials marvelled at such films as Arrivee d’un Train en Gare, The Sea Bath, A Demolition, and La Sortie des Usines Lumiere.   Sestier was also charged with shooting scenes of Indian life, but unfortunately his skills behind the camera were sadly lacking, and the films he sent back to Paris were rejected as ‘incompetent’, thus explaining the dearth of Indian films in the Lumiere catalogue of the time.
Further screenings took place for the ‘natives’ at the Novelty Theatre – the former home of the Victoria Theatre Company – in Bombay on the 14th July. [ADD]
Further Reading:
 

The Lumiere Brothers - "Arrival of a Train at La Ciotat" - First ...click and see the film

www.youtube.com/watch?v=d_9N68MO9gM
Jan 7, 2013 - Uploaded by Cinema History
Contrary to myth, it was not shown at the Lumières' first public film ... in his essay, "Lumiere's Arrival of the ...

1896

The 142-year-old building in Kala Ghoda stands out like a sore thumb in the line of magnificent heritage structures in Kala Ghoda - See more at: http://www.mid-day.com/articles/esplanade-mansion-95-safe-or-100-unsafe/218256#sthash.i7R7tpRy.dpuf

142 year old building now [land sharks waiting -if politicians hand it over ]


three balconies collapsed in 2005{benign govt:neglect ?for builders sake?]


The 142-year-old building in Kala Ghoda stands out like a sore thumb in the line of magnificent heritage structures in Kala Ghoda - See more at: http://www.mid-day.com/articles/esplanade-mansion-95-safe-or-100-unsafe/218256#sthash.i7R7tpRy.dpuf


The 142-year-old building in Kala Ghoda stands out like a sore thumb in the line of magnificent heritage structures in Kala Ghoda - See more at: http://www.mid-day.com/articles/esplanade-mansion-95-safe-or-100-unsafe/218256#sthash.i7R7tpRy.dpuf

Thursday, July 3, 2014

serial killer killed 21 people in maharashtra - police closed all cases

Murder accused claims to be a serial killer - IBNLive

ibnlive.in.com › India
Jan 19, 2008 - The businessman, Chandrakant Sharma, now claims to have committed 20 other murders nearly 15 years ago in different towns of Maharashtra. ... Harsha and 21-year-old son Monto were accomplices in the murder ... one murder case that has caught the police's attention, it's Sharma's past. ... All | Filter.

Murder accused claims to be a serial killer

00
Bangalore: Bangalore Police have arrested a 48-year-old real estate businessman, his wife and son in a murder case that is getting murky.
The businessman, Chandrakant Sharma, now claims to have committed 20 other murders nearly 15 years ago in different towns of Maharashtra.
Sharma, a real estate businessman in Bangalore since 1985, is now in police custody after being accused of murdering his landlord SV Raghavan, who was a pensioner.
Police say his wife 43-year-old wife Harsha and 21-year-old son Monto were accomplices in the murder that took place seven days ago.
But it's not just one murder case that has caught the police's attention, it's Sharma's past.
"He has made startling revelations saying he's committed 20 murders in Maharashtra. So a team is being sent to Maharashtra," Gopal Hosur, Joint Commissioner (Crime), says.
Sharma claims he has killed people in Mumbai, Pune, Nasik, Manmad and Aurangabad.
"After you give chloroform there's no struggle. So it's easy to tie and shift the body," he claims.
The police officials are, however, sceptical about many of Sharma's claims.
"It could be that all of it is false. However it is also necessary to verify and find out since these murders are supposed to have taken place 10-15 years back," Hosur adds.
"He says that he paid money to police in some cases and got away. Until we verify all this we have to take his statement with a pinch of salt," Alok Kumar, DCP (South), says.
The police are also planning a lie-detector test on Sharma if needed and if the claims are proved to be correct, he would be the second suspected serial killer to be arrested in Karnataka within a month.
In December last year, the police had arrested 43-year-old Mallika allegedly for killing six women by forcibly feeding them temple offerings laced with cyanide. She used to take their gold after killing them.

 

Man claims to have killed 21 people - The Hindu

www.hindu.com/2008/01/19/stories/2008011955400400.htm
Jan 19, 2008 - Police stumble upon self-acclaimed killer ... alleged serial killer who has claimed to have murdered 21 people in Maharashtra between 1978 and 1981. ... “We are in touch with senior police officials in Maharashtra to ... During interrogation, Mr. Kumar said, Sharma claimed that in some cases he had thrown ...


Online edition of India's National Newspaper
Saturday, Jan 19, 2008
ePaper | Mobile/PDA Version
Google



Karnataka
News: ePaper | Front Page | National | Tamil Nadu | Andhra Pradesh | Karnataka | Kerala | New Delhi | Other States | International | Opinion | Business | Sport | Miscellaneous | Engagements |
Advts:
Retail Plus | Classifieds | Jobs | Obituary | Karnataka - Bangalore Printer Friendly Page   Send this Article to a Friend

Man claims to have killed 21 people
Staff Reporter
Police stumble upon self-acclaimed killer
— PHOTO: BY SPECIAL ARRANGEMENT

IN POLICE NET: Chandrakanth Sharma (centre), Harsha (left) and Monto Sharma.
BANGALORE: The Bangalore police have stumbled upon yet another alleged serial killer who has claimed to have murdered 21 people in Maharashtra between 1978 and 1981.
Deputy Commissioner of Police (South) Alok Kumar said Chandrakanth S. Sharma (48), a native of Nasik, who was arrested on the charge of murdering a retired Bangalore Electricity Supply Company (BESCOM) engineer S.V. Raghavan on January 10 this year, has claimed he murdered 21 persons in Pune, Aurangabad, Nasik, Mumbai and other towns in Maharashtra before he migrated to Bangalore in 1985.
A police team from Bangalore has gone to Pune for investigation. “We are in touch with senior police officials in Maharashtra to ascertain the claims made by Sharma and confirm whether the people whom he has claimed to have murdered were reported missing. He would be subjected to polygraph test after obtaining court permission,” Mr. Kumar said.
During interrogation, Mr. Kumar said, Sharma claimed that in some cases he had thrown the bodies of the victims into the sea and had managed to hush up a few other murders by bribing the police, citing the motive to be mostly for financial gain and business rivalry.
The police have also arrested Sharma’s wife, Harsha (43), and son, Monto Sharma (21), who had allegedly connived with him in murdering Raghavan (62), a resident of Nanjamba Agrahara in Chamarajpet.
Mr. Raghavan had rented his house at HBR Layout to Sharma. As Sharma had not paid the rent for nine months, Mr. Raghavan went there on January 10 to collect the rent. Sharma, his wife and son smothered Mr. Raghavan with a pillow, strangled him and also stabbed him in the abdomen, the police said.
Later, they took the body in a car, dumped it at a culvert on National Highway 7 near Sooligere in Krishnagiri district of Tamil Nadu, doused it with petrol and set it on fire. On the basis of an identity card found near the body, the Krishnagiri police contacted Mr. Raghavan’s family members on January 11 and informed them about the murder.
The police said Sharma had murdered his landlord with the intention of usurping the property. He had created a fake sale deed stating that Mr. Raghavan and his wife, Geethamani, had sold the house to him for Rs. 1.5 crore after forging the couple’s signatures.
Sharma had also created fake documents for property in Suddaguntepalya and Bommasandra in the city and Bangarpet in Kolar district and cheated the owners of Rs. 15 crore, the police said.
Sharma has claimed he has committed four murders at Pune’s Hotel Amarapali alone. While he fatally stabbed some victims, he smothered others using chloroform. He has also claimed he had shot dead Ibrahim of Dubai, a gold smuggler, following a business dispute, the police said.
Printer friendly page  
Send this article to Friends by E-Mail

Saturday, June 28, 2014

Project rewinds a century of Mumbai’s Hindustani music heritage

Project rewinds a century of Mumbai’s Hindustani music heritage
The Laxmi Baug Hall at Girgaum was a popular performance venue.
When the late Hindustani vocalist, Firoz Dastur, once wanted to learn a new bandish, he visited his guru Sawai Gandharva's home in Girgaum's Khetwadi neighbourhood. The Kirana gharana exponent, relaxing outside his house, decided to sing a few notes for his disciple. Minutes after the master began the bandish, the bustling chawl ground to a halt. And then turned into a mehfil. Residents lined the balconies, spilled over into the courtyard and gathered around Sawai Gandharva. The Hindustani classical maestro's impromptu bandish was now an outdoor concert of sorts.

Elsewhere, sangeet natak troupes travelled to competitions across Maharashtra in buses provided by the BEST union, three singing siblings from Uttar Pradesh set up the Bhendi Bazaar gharana, and a pokey room at a Girgaum chawl became the hub for musical performances. While each of these narratives unfolded at a different point in time, together they created Mumbai's rich heritage of Hindustani classical music.

Today, they are also part of Making Music Making Space, an ongoing collaborative project by documentary filmmaker Surabhi Sharma, cultural theorist Tejaswini Niranjana and architect Kaiwan Mehta. It looks at how Hindustani classical music flourished in colonial and post-colonial Mumbai, and how its growth was interlinked with that of the city. Through interviews, archival material and biographies, the project chronicles almost a century of the city's "intangible heritage".

"A lot of the research we did was from the 1860s to the 1950s," Niranjana said. "The idea isn't to document the history of Hindustani music in Bombay, but to show what its significance was." At a talk on Friday, the team took the audience on a tour of sorts, across landmarks such as Girgaum's Laxmi Baug, which was among the most prominent performance venues, the neighbouring Trinity Club— a chawl room where musicians lived and practised— and institutes like the Deodhar School of Indian Music where Kumar Gandharva studied. Wagle Hall at Gaiwadi, Girgaum's Muzaffarabad Hall, and Capitol Cinema in CST too provided space for the genre to flourish.

"There was a kind of mapping that happened," said Sharma. "The people we interviewed would point us to places where they had attended performances, buildings where they learnt music. Layers of history emerged in a single neighbourhood."

While the patronage was earlier clustered in the lanes around Girgaum, the action movednorthwards after the 1950s. "As people migrated to the Dadar-Matunga side, performance venues and music circles came up there," said Niranjana. "This also happened in places like Thane, Vile Parle and Santa Cruz."

Hindustani also seeped into Parsi theatre around the 1870s, said Niranjana, when playwrights began using it more than Gujarati. "Since not many knew the language, there were playwrights brought in from Uttar Pradesh," she said. Marathi sangeet nataks were influenced in turn and incorporated raga-based songs.

The team also looked at how the advent of recording studios and technically superior venues impacted the genre. The art of fitting an entire raga within a recording-friendly span of three minutes also had to be mastered. As the city shape-shifted, the way Hindustani classical music was practised kept pace. "It's a project that can be added to constantly," said Niranjana. "The more we research the subject of Hindustani classical music, the more stories we keep finding."